A quick little roundup of several smaller reviews I wrote in Autumn 2024. Beware of spoilers!
Title: How to Help a Hungry Werewolf
Author: Charlotte Stein
Series: The Sanctuary for Supernatural Creatures #1
Much thanks to Charlotte Stein, Macmillan Audio, and NetGalley for allowing me to listen to a free eaudio ARC in exchange for an honest review.
So funny and charming! I loved spending time with Cassie and Seth. However, I can believe some readers may find this kind of awkward humor not to their taste; I’m sure some people will find it annoying. Side thought – I wonder if it’ll come across as less annoying in print than in narration. I thought it was fine, at any rate, though at times it tread the line of annoying; once or twice I found myself mentally screaming, Oh my god, quit tripping over your tongue and get to the point!
The characters are very likeable and endearing, and relatable as far as they can be. By that I mean we really didn’t explore the characters’ lives much, their world. Unsupportive parental relationships were briefly mentioned (I was quite surprised Cassie had such a full conversation with her mother over the phone), as were Cassie and Seth’s current living situations, but otherwise the narrative was very focused on their relationship with one another and secondarily discovering the supernatural world. Which, you know, duh, it’s a romance, but it was almost too insular. Like they were in their own little bubble apart from the real world. The main external antagonist, the wolf pack, also had a very specific narrative function and that was it. Neither Cassie nor Seth seemed to have a job, though that might have been addressed; if it was, it was so brief that I missed it. On one hand it’s great that Stein can keep her narrative focused with little fluff or side tangents or the like. On the other it makes the story and perhaps the characters feel limited and shallow. I’d be in favor of fleshing out the world, and especially fleshing out the characters.
But where would that additional flesh go? It could replace some of the second half, which is almost solid horniness and sex acts, which I had two problems with. One, there was too much of it; I was dying to get back to the far more interesting exploration of the supernatural aspects. Skip—skip—jesus, are they still talking about how horny they are?—skip—skip—thank christ, they’re finally fucking, maybe now we can get back to the story.
Two, the tone of the sex scenes didn’t mesh for me. Felt like a departure from the tone of the rest of the book. Stein writes with a light tone, even while discussing serious things like bullying, fat shaming, and the consequential emotional trauma, and it works. I liked the tone of the first half. It flowed, it felt natural, it suited the characterization, and the narrator, Yael Rizowy, was perfect for it. Then in the second half we get into the horniness and now this light, charming tone is trying to talk dirty, literally, and I can’t take it seriously. The same narrative that gives a witch an adorably feisty raccoon familiar who brandishes a toilet brush like a musket (loooved that!) is also throwing around “cum” and “cock” and “pussy” and I can’t reconcile it. Like vulgar graffiti sprayed over a heartwarming poster about friendship. Another author might have been able to make it work, but here it was discordant. Maybe if there had been far less of it, it wouldn’t have felt so jarring, but it went on and on and on….
Overall, I really liked this book, I just wanted more character and world building and less sex. Sorry, Stein, you’re just not an erotic writer. Or perhaps this story just isn’t erotic. But it’s not a deal breaker for me yet; I’ll be looking out for the next in the series.
Title: The Mirror
Author: Nora Roberts
Series: The Lost Bride Trilogy #2
Thanks to Nora Roberts, St. Martin’s Press, Macmillan Audio, and NetGalley for allowing me free access to ARCs in exchange for an honest review.
True Title: In Which Meals Are Had
DNF 45%
I’m not reading Nora Roberts anymore. I know I’ve bitched about her in the past, but for real this time, I’m done. The first half of this book was just a series of meals with the occasional lame haunt thrown in. The premise is intriguing, but the execution is just a ramble of unnecessary and inconsequential details. Who gives a flying rat’s ass what color and material the tables and chairs are at the party they’re planning? Who cares what the menu is for every goddamn meal they eat? Who cares about work projects that present no conflict and have nothing to do with the plot? The fluff is suffocating. What’s that? The MC’s love interest is falling in love with her? News to me, because we’re not seeing it on the page. I feel no chemistry between Sonya and Trey, and none between Chloe and Owen. The haunts aren’t scary, there’s no tension, the stakes feel like a shrug, none of the characters are remotely interesting. Sweet jesus, Roberts’s writing is in the shitter. They really will pay her to write to-do lists—because people keep reading them! It’s so frustrating! It’s a fricken scam! You’re paying for a name and reputation, not a quality product. Either Roberts has no editor or her editor has no spine. Or skill. I’m so glad I stopped paying for Roberts’s books years ago. I’m done. Done, done, done. I feel like ordering an arrangement of white lilies, because I’m grieving this loss.
Title: A Touch of Malice
Author: Scarlett St. Clair
Series: Hades x Persephone Saga #3 (or #5 if you’re including the Hades POV books)
This series is decent but I’m struggling to follow the actual plot because every other minute there’s a sex act. In the first two books it wasn’t as often and was easier to ignore, but with the third it’s so frequent I have to keep my phone in arm’s reach so I can skip the sex in damn near every chapter. (I use blutooth headphones and usually roam.) Sex does not equal romance, St. Clair. Hades and Seph are clearly in lust, but I’ve yet to be convinced they’re in love. I’d like a little story with my sex please.
Was able to finish this book but only got through 10% of book 4. I was over it—the characters, the plot, the conflict, everything.
Title: A Drop of Fortune
Author: Danielle Garrett
Series: Four Corners Coven #1
This isn’t really a bad book, it’s just not what I expected. I thought there’d be a harrowing quest with near-death experiences, a handsome rogue, a cackling villain, cool uses of magic, etc. Nope. Accompanied by her selfish and annoying owl familiar, Evelyn goes on a quaint little trek to investigate a blight and meets oodles of people. Many become friends, some become enemies. She helps the villagers, stands up to the bullies, and gets to the bottom of the blight without bloodshed. Her romance is sweet and chaste. She realizes she’s home, and cue the awwww….
Like the other reviews say, this is a cozy, not an epic. I didn’t think much of the difference until I read this book. Now I get it. If you like feel-good stories with more heart than plot, you’ll probably be on board with this book. I’m not against cozies, but when you’re expecting something more ambitious, it’s rather a let down.
It also didn’t help that I didn’t care for the narration. I’ve always wondered what an American accent sounds like to foreigners, and I imagine it sounds like Amanda Ronconi’s narration. The entire time I was listening I was trying to think of how to describe it. Blunt? Aggressive? Abrupt? Loud? I don’t know, I just know I don’t like her voice.
So, not a bad book, but not for me.
Title: The Witches of Santo Stefano
Author: Wendy Webb
Series: n/a
Thank you to Wendy Webb, Brilliance Audio, and NetGalley for allowing me to listen to a free eaudio ARC in exchange for an honest review.
I’m a fan of Webb’s ghost stories, but because her audios are published by Brilliance, who doesn’t share with libraries, I haven’t been able to listen to many of her books. So when I saw this one pop up, I requested it without reading the blurb or knowing anything about it. I was disappointed to find it’s more women’s fiction than anything, though there are a few haunting scenes. But I found myself more and more invested the further into the story I got, intrigued by the mystery, caring about Cassie and her ancestors—and the animals! I don’t care to jump around in time or head hop, which knocks a star off for me, but I cared enough about finding out what happened that it didn’t irritate me too much.
I don’t typically care for Xe Sands as a narrator; she makes everything sound melancholy and emotionally charged, couldn’t sound matter-of-fact or clinical if she tried. I actually stopped listening to Kristan Higgins’s books because I couldn’t stand Xe’s melodramatic style. So realizing she was the narrator was another disappointment, but I can’t deny she’s brilliant at those exact things—sounding melancholy and emotional. I cried over a dead donkey because of her.
Overall, not at all a bad book, just not entirely to my taste/what I wanted it to be. Anyone who likes women’s fiction or digging into family mysteries or simply multi-generational tales should enjoy this book.
Title: A Fatal Feast at Bramsford Manor
Author: Darci Hannah
Series: A Food and Spirit Mystery #1
Much thanks to Darci Hannah, Tantor Audio, and NetGalley for allowing me to listen to a free eaudio ARC in exchange for an honest review.
I didn’t know what this book was about going in, I just knew it was a Darci Hannah mystery, so I was very pleasantly surprised to learn there was a paranormal element! Yay ghosts! I loved the murder mystery and the ghost mystery and how they intertwined.
Bunny is a likeable lead, and Granny was fine, but the guys need work. Giff was written extra, but Charlie Albers’s portrayal of him was over the top. And Brett—I don’t know the first thing about him. He was overshadowed by Giff’s personality and everything else going on. There are supposed to be romantic vibes between Brett and Bunny, but hell if I felt any chemistry between them. For a while I thought Bunny had something going on with the detective, but that was wrong. So Giff needs toning down and Brett needs development.
Overall I’m looking forward to more of this series!
Title: The Dream Haunters
Author: Megan Mary
Series: Witches of Maple Hollow #1
Thank you to Megan Mary, Inner Realms Publishing, and NetGalley for allowing me to listen to a free eaudio ARC in exchange for an honest review.
Hmm. This book had elements I usually like—magic, a mystery, secret heritage, cute kitties, eerie setting—but somehow it didn’t quite come together for me. Something was lost in execution. Or was never there to begin with. Both? Not sure.
For one thing, there’s no romance. Gotta have me some romance.
Nothing happened. Great instigation—mysterious letter, notified of missing aunt, flight across the country to mysterious family farm, all very sus. But then nothing. Hannah mosies around thinking things are curious, exploring the house, exploring the town, wondering wtf is going on, learning about magic, talking to the adorbs old guy, talking to her friend, talking to cats and turtles, having dreams. She hears footsteps behind her once, but that’s all it amounted to.
By the time the climax came around I was so tuned out I don’t remember much of it. I just remember thinking it was rather cartoonish. The evil guys were just evil. One evil guy was all “ah-ha! I have the special object now! it’s mine! muahahaha!” and I mentally cringed.
I think the aesthetic might have been kinda silly, which made it hard to take the story seriously. It was very Halloweeny, but not necessarily in a good way. Pumpkins were a big deal. The family pumpkin patch was a landmark. Pumpkins were portals into a dream world. Cats used pumpkins to time travel. Pumpkins, pumpkins, pumpkins.
I’m sorry, but pumpkins do nothing for me. They’re not cryptic, they’re not sinister, they’re not beautiful. They’re just squat orange ders that taste good as a dessert with cream cheese icing. And they help dogs poop.
Also, dreams. Dreams are never exciting. The only time I remember dreams being exciting was in Inception, and that was entirely due to the big action set pieces and legit consequences, not the confusing lore. Too many bad books and movies have used dreams as storytelling crutches, cheap plot twists or gotchas. Omg she’s naked in front of the whole school! Wait, just a dream. Omg everyone’s dead and the aliens have invaded! Wait, just a dream. (Or vision, same diff.) They’re worthless storytelling devices, because they aren’t legitimate. They have no consequences. Often they’re just thoughts that don’t make sense. What’s compelling about that? Sometimes they’re used to motivate characters, sure, and that’s fine, but flimsy.
So no romance, little action, time-traveling cats, pumpkins, dreams. Not one of those things pleases me.
Then there’s the magic. It dives deep into ancient Celtic lore and paganism and the original meanings for all the Halloween-related things Christianity and capitalism have appropriated and neutered over the centuries. Interesting, but not when it’s delivered to you like nonfiction via exposition. Great meaning is given to….some occurrence I can’t remember the name of, something about the moon cycles. And that’s where the magic lost my interest.
So yeah, it ended up being very much not to my taste, but it also wasn’t a well-executed story.
Title: How to Summon a Fairy Godmother
Author: Laura J. Mayo
Series: Fairies and Familiars #1
Much thanks to Laura J. Mayo, Hachette Audio, and NetGalley for allowing me to listen to a free eaudio ARC in exchange for an honest review.
Cinderella’s not my favorite fairytale, mostly because it’s extremely unrealistic and doesn’t have much of a moral: Be a good little victim and wait for someone to take pity on you. But I’m all for retellings, and this promised to be humorous, so what the heck.
Well, first off, it’s not particularly funny, so I’m not sure why they decided to market it as “hilarious.” It’s not not funny, but it’s far from a defining characteristic of the narrative, in my opinion. Maybe they thought Dwin was a barrel of laughs? I thought he was a lying little pissant. Or perhaps I was supposed to chuckle and snort over Theo’s insults? They were strong, and I liked it when they were deserved, but I didn’t think they were funny. So I dunno.
I liked that Cinderella was villainized—or rather, “Beatrice,” not sure why she wasn’t just “Ella”—but not into a mustache-twirling, evil-for-the-fun-of-it villain. More that she was taken off her classic pedestal and put on par with the step-sisters. I believe Theo, especially after her horse tale, that Bea was spoiled, entitled, and full of herself. Good but not humble, not good for the sake of being good; she wanted praise and rewards for her benevolence. Which, if you ask me, is not true kindness.
I also liked that the fairy godmother wasn’t the classic grandma handing out miracles free of charge and that this followed more common fae lore: They’re conniving, manipulative, and superior, treating humans like stupid playthings.
Theo was an interesting protagonist. I could never quite figure out how I felt about her. She was both sympathetic and unsympathetic, likeable and unlikeable. I often wanted to root for her and boo her at the same time. Similar for Cecily: For a fairy she wasn’t as bad as she could have been, which made her likeable, but she was still a self-interested, manipulative fairy, which made her unlikeable. Phineas was servile but likeable.
Casca….I’m not sure why he was the love interest. We didn’t know anything about him. He wasn’t particularly charming or charismatic. He was protective of Theo, but that was about all that was romantic about him; also, I had no idea why he liked Theo, why he thought he was in love with her. It felt rote. Lochlan made more sense; he appreciated Theo’s mean streak, her insults, her musical ability. He thought she was beautiful and intriguing. I assumed he’d show himself to be evil in some capacity and that would excise him as a love interest, but that never happened. He was no better or worse than any of the others. So I was actually more interested in Lochlan being Theo’s love interest. It just seemed they got along better than Theo and Casca.
I appreciate Mayo’s attempt to make the stepmother more sympathetic, a miserable product of unfortunate circumstances and women’s lack of choices, but ultimately an antagonist because she was a vindictive bully perpetuating the cycle of maltreatment. A “if I can’t be happy, neither can you” kind of mentality. Much more interesting than evil for the sake of evil.
I loved that Theo’s arc culminated in her unwillingness to perpetuate that cycle herself. Now we need to see her learn to care about others, because she’s still mostly all about herself. She decided not to continue the vindictive cycle, but she’s still very woe-is-me.
The more I think about the book for this review, the more I appreciate its story and themes. I very much look forward to book 2 and watching Theo continue to grow.
I don’t remember thinking ill of the narration, which means it was great. Thumbs up to Josie Charles, who narrated, and the audio producers.
Title: Haunted World
Author: Theresa Cheung
Series: n/a
Thank you to Theresa Cheung, Dreamscape Media, and NetGalley for allowing me to listen to a free eaudio ARC in exchange for an honest review.
I don’t usually read nonfiction, but I love ghost stories, which I figured this more or less would be, so I went for it. And it is, in part. There’s also what’s essentially a paranormal glossary and other textbook-y type information, which was interesting but less compelling. Unsurprisingly, my favorite part was the residual hauntings. I wish there had been more of that, but I understand Cheung was going for a more comprehensive guide to modern paranormal phenomena. Overall I liked this book and it wasn’t as much of a chore to read as I was afraid it might be. Most of all, though, I loved that it was published in audiobook format; so much nonfiction, especially of this ilk, isn’t.
Excellent reviews. Hope October brings a bunch of excellent reads.
Thank you! Happy reading!